I’ve seen her in a room of kids, and she’s in her element.” Rankin noted that Rowling, in her writing, retains “the power of life and death over these characters.” She is wary “of situations you can’t always control-in the real world.”
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After Rowling watched Rankin being interviewed at a similar event, she told him, “I don’t think I can do that.” Rankin said, “I think she feels uncomfortable in a room full of adults. Ian Rankin, the writer of Edinburgh-based crime novels, became friendly with Joanne Rowling when they were neighbors in another part of the city he recently described her as “quite quiet, quite introspective.” He recalled urging Rowling to join him for an onstage interview at the Edinburgh International Book Festival, a few years ago. She has a reputation for reserve: for being likable but shy and thin-skinned, and not at all comfortable with the personal impact of having created a modern myth, sold four hundred and fifty million books, and inspired more than six hundred thousand pieces of Harry Potter fan fiction, a total that increases by at least a thousand stories a week. Rowling, who, at forty-seven, is about to publish her first novel for adults-it is set in a contemporary Britain familiar with Jay-Z and online pornography, but is shaded with memories of her own, quite cheerless upbringing-lives here with her second husband, Neil Murray, a doctor, and their children. They reach higher than the street lamps in front of them, and evoke the entrance to the spiteful maze in the film adaptation of “Harry Potter and the Goblet of Fire,” the fourth volume of her fantasy series.
Rowling’s seventeenth-century house, in Edinburgh, are about twenty feet tall.